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On March 12, 2007, after a 10 year career, they announced via a MySpace bulletin that they were going on an indefinite hiatus. Their song " Monsters" appeared in Madden NFL 07, Arena Football: Road to Glory, and Guitar Hero III: Legends of Rock. In 2006 on their second album, Voices, the band decided to change their sound and get away from what they had originally been producing. In fall 2003, Matchbook Romance headlined a US tour and appeared on the cover of Alternative Press magazine. In summer 2003, the band appeared on several dates of the 2003 edition of the Vans Warped Tour. They also appeared on a 4 song split with Motion City Soundtrack in which an acoustic version of "Playing for Keeps" and "In Transit for You" appeared. The name Matchbook Romance comes from the thirties and forties, where at bars, patrons would write their address on matchbooks and hand it to his/her suitor.Įpitaph released the group's debut EP, West for Wishing, in early 2003, and their first LP, Stories and Alibis, in September 2003. Due to legal reasons (there is a Canadian band with the name The Getaway), they changed their name to Matchbook Romance. Later, as The Getaway, they were signed to Epitaph Records after the label's owner, Brett Gurewitz, heard the song "Ex Marks The Spot" via. But they’re big and clumsy in a way that super-sizes the enjoyability.Lead singer/rhythm guitarist Andrew Jordan and bassist Ryan Kienle previously played in Poughkeepsie punk-rock band Fizzlewink. So what we’re left with is some impressively solid songs - in particular “What a Sight”, which soars with such sweeping, redemptive beauty that it sounds like it belongs less on a goth album and more on Abbey Road - as well as some filler, played with the same undeniable bravado, but in the end still filler. But the consistency isn’t there yet.Įven so, it’s difficult to be harsh on them for missing their sprawling-epic vision, given that they placed the bar so high. There are flashes of brilliance –“Say It Like You Mean It” just bleeds teen ego with the line “It’s like saying we had luck with a three leaf clover / The only times you loved me was when you weren’t sober”.
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Moreover, Jordan’s lyrics, though earnest and hitting all the goth expectations, never reach the grandiose depth or biting wit of his aspirations. A few clunkers, such as the should-have-been-cut “Fiction” and the unnecessary “I Wish You Were Here”, also kill the momentum at the most inopportune times. They’re both good songs, they just sound utterly incongruous next to each other. This is most painfully evident when “Goody, Like Two Shoes” - an enormous, seven-minute anthem - is followed up with the hand-clapping cheekiness of “Monsters”. It’s an admirable try, but it’s really pretty damn hard to try for Muse’s grand prog-rock on one hand, and grasp for My Chemical Romance’s poppy wit on the other. The production helps them along, enormous, yet never overshadowing the organic sound.įunnily, though, the album still never gets where it wants to be. Matchbook Romance certainly pulls off the confidence - they never sound anything less than self-assured throughout the album. It’s a risky move without the same absurd confidence pulling it all together, such endeavors easily (and often) fall into self-parody. Voices is the sound of a band that, having proven its chops with a solid debut and desperately anxious to avoid a sophomore slump, has self-consciously decided to take it to the next level. Musically, they’ve maintained their natural dark melodicism, while reinventing everything else this disc sounds more like heavy metal than emo. Every goth, punk-pop, and hardcore convention seems put in a blender here and spun to overdrive witness the chuggingly huge riffs of “Surrender”, the slit-my-wrists singing of “Portrait”. There’s no question: Voices is ambitious. Andrew Jordan’s voice is deeper now, the sound is richer, the guitars are louder, and they’re laying down an epic of goth-rock almost ridiculous in its proportions.Īnd the scary thing is, they do come quite close to succeeding. Forget the straight-ahead, no frills emo-punk of their debut.
![monsters lyrics matchbook romance monsters lyrics matchbook romance](https://i.ytimg.com/vi/vGVGove7IsI/hqdefault.jpg)
That one sentence - about the CD case - just about describes Matchbook Romance’s second album as a whole. Big, black, and chunky, and rendered with half-gothic, half-cartoony artwork that’s both terribly cool and terribly cheesy.